Wednesday 4 July 2018

Before & After the Horizon: Anishinaabe Artists of the Great Lakes by David W Penney and Gerald McMaster





In Anishinaabemowin (Anishnaabe language) the word doodem is an expression of ancestral relation to family members, near and distant, to animals of this and unseen worlds, and to particular places on the earth, tying back to stories of origins and how the world came to be.




When Frenchmen first journeyed into Anishinaabe country, the people they met referred to themselves by their doodem, calling themselves, for example, people of the beaver, catfish, crane, elk, bear, or snapping turtle.




More than three hundred thousand people living today identify themselves as Anishinaabe.




In addition to a language of words, however, there is an Anishinaabemowin of things, of relations with a material world that simultaneously shape and express a distinctive Anishinaabe identity.




To the Anishinaabe eye, the world expands outward in layers. (Chapter: Animikii miinwaa Mishibizhiw:  Narrative Images of the Thunderbird and the Underwater Panther by Alan Corbiere and Crystal Migwans)




The underwater woman (perhaps an underwater panther or serpent in a changed form) needs protection against the thunderbirds, and it is the turtle who has that power.  (Chapter: Animikii miinwaa Mishibizhiw:  Narrative Images of the Thunderbird and the Underwater Panther by Alan Corbiere and Crystal Migwans)




In this altered state, the person who has turned wiindigoo perceives an individual not as human but as the animal that represents the person's clan.  So a person of the Bear Clan is seen by the wiindigoo as a bear, and the wiindigoo, who is starving, thinks he is eating bear instead of a human. (Chapter: Animikii miinwaa Mishibizhiw:  Narrative Images of the Thunderbird and the Underwater Panther by Alan Corbiere and Crystal Migwans)